SKOG to Enter Art Fair in Copenhagen 2026

This August, SKOG Art Space is heading to Copenhagen for Enter Art Fair 2026.

From 27–30 August, Enter Art Fair brings together galleries, artists, collectors and curious visitors from across the world. As Scandinavia’s largest international art fair, it has become an important meeting place for discovering contemporary art and for creating conversations across artistic practices, places and perspectives.

For this year’s edition, SKOG will present a selection of works by Tor Simen Ulstein, Christophe Lennox, Ove Kvavik, Søren Krag, Hilde Frantzen, Morten Slemmerås and Toni Porto.

We are excited to bring these seven artists together in Copenhagen, each with their own distinct approach and artistic language, and to share their work with both familiar and new audiences.

A link to the full catalogue will come here. If you want to contact SKOG please reach out on tel. +47 97424587 or post@skogart.org

All art works are available in our online shop by the time of the start of Enter.

See you in Copenhagen!

Søren Krag (1987) is a Danish artist currently based in Bergen. Throughout his artistic journey, Krag has focused on digital tools, starting his exploration of artistic style with painting programs like Microsoft Paint. This digital tool became a springboard for developing the unique style he works with today.

The choice of using LEGO as a medium is far from random. Krag is committed to posing political questions, and LEGO provides a platform to explore themes related to climate and plastic consumption.

Christophe Lennox (1986) was born in Scotland and studied painting at Concordia University in Montreal, where he earned his BFA. He now lives and works as a painter in Oslo. He has exhibited in the United Kingdom, Canada, Norway, and Denmark.

Christophe Lennox’s paintings unfold through cycles of layering and erasure. Forms disappear and return altered, embedding absence and transformation into the surface.

Ove Kvavik (1985) manipulates the content and function of existing objects, creating works that are both familiar and simultaneously absurd. His work is included in collections such as the KLP Art Collection, the Møller Collection, and Kunstsilo.

Hilde Frantzen (1982)

Hilde Frantzen lives and works in Oslo. She is educated at the Bergen School of Arts and Crafts, holding a bachelor’s degree from the textile department and a master’s degree from the Academy of Fine Art. In recent years, Frantzen has exhibited at, among others, the Autumn Exhibition, the Contextile Biennial, and the West and East Norway National Exhibition. She has had solo exhibitions at Babel Visningsrom for Kunst in Trondheim, Soft in Oslo, and Hi10 in Skien. This year, she is also participating in the Annual Exhibition at Lillehammer Art Museum and the Eastern Norway Exhibition.

Toni Porto (1964) is a Spanish sculptor based in Madrid, known for his organic and minimalist sculptures in wood. Drawing on traditional woodturning techniques, his practice explores the relationship between material, form, and natural processes.

Morten Slettemeås (1975)

Slettemeås works with painting that alternates between the figurative and the abstract, with references both to art history, contemporary events and popular culture. By using his own ideas and experiences and putting them in context with international events, the work appears as a personal story telling. Several works are inspired by the tradition of landscape painters in Telemark, combined with impulses from the globalized world.

Tor Simen Ulstein (1988)

Tor Simen Ulstein is a Norwegian photographer educated at The Sir John Cass School of Art in London. He made his debut at the 137th edition of Norway’s National Art Exhibition and has exhibited at galleries and festivals including Skog, Vasli Souza, Fotogalleriet, and Nordic Light Festival of Photography. Ulstein combines aesthetic reflection with a documentary approach in his artistic practice. He is also a co-founder of the photography newspaper Uncertain States Scandinavia.


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Vernissage 14 August: Nesten umerkelig skamløse.